Adoration of the Magi c. 16th century

Curator: Here we have Hans Schäufelein's "Adoration of the Magi," a small but powerful engraving, dating back to the early 16th century. Editor: It has a very theatrical quality, doesn’t it? Almost staged. The way the light catches the figures creates such depth. Curator: Indeed. Schäufelein uses such intricate linework to bring out the textures of the fabrics and the expressions on the faces. It’s far from the gold-leafed depictions of wealth we tend to associate with religious iconography of the time. Editor: Absolutely, and consider the socio-political implications of depicting these Magi, presumed foreigners, paying homage. Is this a comment on the inclusive nature of faith, or a subtle power dynamic at play? Curator: That's fascinating! I hadn’t considered that. I was struck more by the Magi’s expressions—the wonder, the awe—it’s profoundly human. Editor: These images offer a way to engage with history. A space for contemplating how power, religion, and identity intersect in ways that are still relevant. Curator: I see your point. For me, it’s a reminder of the beauty and the mystery that can be found in the smallest of details. Editor: And perhaps, a call to consider the broader narrative.