Toriyama Akinari Terutada with Ghost; (The Lavender Chapter) 1615 - 1868
print, woodblock-print
toned paper
human-figures
asian-art
ukiyo-e
japan
figuration
coffee painting
woodblock-print
human
watercolour illustration
genre-painting
Dimensions 14 1/2 x 10 in. (36.8 x 25.4 cm)
Editor: Here we have Utagawa Yoshiiku’s woodblock print, "Toriyama Akinari Terutada with Ghost; (The Lavender Chapter)," made sometime between 1615 and 1868. It definitely evokes a chilling atmosphere! The pale ghost and the terrified figure...what do you make of it? Curator: It whispers to me of layered realities, of the seen and unseen coexisting. The *ukiyo-e* tradition, often focused on fleeting beauty, here delves into something deeper. Tell me, what does the presence of the sword suggest to you? Is it a symbol of protection, of the samurai class, or something else entirely? Editor: I initially saw it as a symbol of protection, definitely. Curator: Perhaps. But look closer – at his posture, his wide-eyed expression. Does he seem ready to defend himself? Or is he frozen in fear? I'm wondering if it signals an inner struggle, perhaps guilt, surfacing in this spectral visitation. This is Yoshiiku at his finest – blending the aesthetic pleasures with profound psychological insight. He doesn’t just show us a ghost; he makes us *feel* the ghost’s weight on the character's soul. Editor: That’s a completely different reading than my first impression! I was stuck on the surface of the narrative. The frozen pose and that barely drawn sword now completely shift how I see it. Curator: That's the beautiful haunting nature of art, isn't it? The piece speaks differently depending on the ear that’s open to listen. It certainly makes you think. Editor: It definitely does. Thanks! I have new found appreciation for what Yoshiiku conveys with this work.
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