Gezicht op de kathedraal van Ferrara, Italië by Fratelli Alinari

Gezicht op de kathedraal van Ferrara, Italië 1852 - 1900

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photography, gelatin-silver-print, architecture

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landscape

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photography

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gelatin-silver-print

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cityscape

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italian-renaissance

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architecture

Dimensions height 205 mm, width 259 mm, height 213 mm, width 265 mm

Editor: This is "Gezicht op de kathedraal van Ferrara, Italië," taken sometime between 1852 and 1900 by Fratelli Alinari. It’s a gelatin silver print that captures the Ferrara Cathedral. I’m struck by how it merges the grandeur of the architecture with everyday life unfolding in the piazza. What layers of meaning do you find here? Curator: The cathedral, monumental in its design, really speaks to the power structures inherent in 19th-century Italian society. What do you notice about the people in the foreground? Editor: Well, they seem like ordinary people going about their day – merchants, maybe even tourists. They are dwarfed by the building. Curator: Exactly. Alinari's lens doesn't just record a building; it frames a power dynamic. The Church, represented by the cathedral, literally looms large over the populace. What social classes do you see represented and how does the composition reflect these differences? Editor: I see a divide. The cathedral represents wealth and religious authority, while the people represent labor and everyday life, positioned lower in the frame. I’m wondering if this composition reinforces social hierarchies that existed at the time. Curator: Precisely. Alinari, intentionally or not, documents the visual manifestation of social stratification, doesn't it? Consider the rise of photography as a medium in this period and how it shapes perceptions of power and place. Also, think about Italy itself— undergoing huge upheaval and Risorgimento— and how images such as this both captured that society but also fed back into a visual vocabulary about who and what the New Italy was about. Editor: That's fascinating. I initially saw a beautiful cityscape, but it's actually a complex visual statement about society and authority. I learned how photographs like these reinforced power structures in Italy during that time. Curator: Indeed. And, hopefully, you'll consider how it still resonates with us now, urging critical engagement with how power dynamics are visualized.

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