Design for a Stained Glass Window, the Last Supper and the Resurrection 

Editor: Here we have a design for a stained-glass window depicting the Last Supper and the Resurrection, by an anonymous 19th-century British artist. The use of monochrome wash gives it a sense of solemnity. What stands out to you about this work? Curator: The choice of subject matter speaks volumes. In 19th-century Britain, religious art often served a didactic function, reinforcing social and moral values. How might the placement of such a window impact the viewers' experience and understanding of faith within the space? Editor: So, the location is key to understanding its purpose. Curator: Precisely. The architecture and the imagery work together. Considering the window’s potential audience - what messages were being communicated, and who was being excluded? Editor: I never considered the politics of stained glass. Curator: Art is rarely neutral. Analyzing its context reveals its power. Editor: That gives me a lot to think about. Thanks! Curator: My pleasure.