Susanna voor de rechters 1670 - 1719

Editor: Here we have Nicolaes de Bruyn's engraving, "Susanna before the Judges," dating back to between 1670 and 1719. The textures achieved in this monochromatic print are fascinating. What narrative or emotional tone do you perceive in this work? Curator: Oh, it’s a cauldron of suspicion simmering on paper! The visual rhythm, the sheer density of figures…it speaks of accusation. It's interesting to think about engravings at the time – multiple originals. Imagine those lines, meticulously carved, endlessly whispering this tale. Do you notice the somewhat theatrical way the figures are arranged, almost like actors on a stage? It echoes baroque sensibilities, but there is something more here, perhaps less celebration, more gravity. It isn't all trumpets. Editor: I see what you mean. The suspended reptile-like creature above feels out of place and time. Curator: Doesn't it! So jarring. That detail adds such a delightfully odd flavor to this already unsettling narrative, doesn't it? I wonder, do you think its purpose is to inspire fear, dread, and a certain cold-bloodedness, much like the accusations thrown towards Susanna? And perhaps it represents something darker still. Do you think the artist consciously wanted this piece to disturb? To unsettle and haunt his audience? I'm betting it's the dark part that fascinated. Editor: The animal adds layers to a pretty involved story of judgment. Seeing the original piece now enriches its sense of mystery. Curator: Indeed! Isn't it thrilling how a simple engraving can unfurl into a complex emotional experience, drawing us into an ongoing conversation?