Guano 1958 - 1962

Curator: Here at Tate Modern, we have Judit Reigl's monumental work, "Guano", a striking piece measuring over 1.5 by 2 meters. Editor: It feels ancient, doesn’t it? Like a weathered tablet unearthed after centuries, the horizontal lines reminiscent of faded text. Curator: Reigl’s abstract expressionism emerged in post-war Europe, a period grappling with trauma and redefinition. Her work reflects that search for new forms. Editor: "Guano," even the title suggests layers accumulating over time, perhaps ideas fossilized or transforming into something new. Curator: Absolutely. The term itself refers to excrement, suggesting a process of decomposition and rebirth. Reigl often explored themes of human existence and transformation. Editor: I'm struck by the earthy palette. It speaks of decay but also resilience, a testament to the cyclical nature of existence. Curator: Reigl was a key figure in challenging conventional notions of painting, both in Hungary and later in Paris. Editor: Ultimately, "Guano" prompts us to consider how we build layers of meaning and experience, both individually and collectively. Curator: Indeed, it's a work that invites contemplation on history, memory, and the enduring power of abstract form.