Card Number 244, Josie Hall, from the Actors and Actresses series (N145-7) issued by Duke Sons & Co. to promote Duke Cigarettes 1880s
drawing, print, photography, gelatin-silver-print
portrait
drawing
impressionism
photography
historical photography
gelatin-silver-print
19th century
Dimensions Sheet: 2 11/16 × 1 3/8 in. (6.8 × 3.5 cm)
Curator: This delicate portrait is a trade card from the 1880s, specifically "Card Number 244, Josie Hall," part of the "Actors and Actresses" series created by W. Duke, Sons & Co. to promote their Duke Cigarettes. It's a gelatin-silver print, a popular photographic process of the era. Editor: Wow, she has such a faraway look in her eyes. It’s sepia-toned and gives it this soft, nostalgic atmosphere—like a memory half-recalled. It almost smells of old paper and maybe a touch of smoke, if I’m being fanciful. Curator: Precisely! These cards served a dual purpose: advertising and collectible entertainment. The portraits offered a glimpse into the glamorous world of Victorian actors and actresses, becoming small, treasured objects within popular culture. Editor: Look at the hat. It looks…like a miniature wedding cake. There's a playful extravagance about her attire that contrasts a little bit with the rather solemn expression on her face. Makes me wonder about the gap between how performers were presented versus their real lives. Curator: An astute observation. Her garments are emblematic of stage costume but, even more telling are her necklaces, and other items alluding to material success. The image projects status and accessibility to a wide public. She represents, visually, the dream of celebrity. Editor: It’s funny to think these tiny cards were once slipped into cigarette packs. Something so fleeting tied to something so seemingly permanent: fame. Do you think she had any idea this little promotional picture would outlive her performances? That we’d still be pondering it a century and a half later? Curator: That contrast you point to between her fleeting fame and relative historical significance is perhaps a good allegory of human ambition. In iconography, these artifacts carry layers of meaning extending beyond just commerce or aesthetics. Editor: So true, and the portrait feels like a conversation with history. Curator: I'm content knowing these symbols help interpret and convey our complex experiences to generations hence.
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