Jozef door zijn broers verkocht 1720 - 1728

Editor: Here we have Joseph Mulder's "Jozef door zijn broers verkocht," an engraving dating from between 1720 and 1728. It's incredibly detailed; I’m struck by how this one small sheet manages to depict so much narrative, from Joseph's fearful expression to the landscape receding in the background. What do you see in this piece? Curator: This engraving powerfully encapsulates the dynamics of power and betrayal within patriarchal systems. Consider the composition: Joseph, isolated and vulnerable, is physically handed over by his brothers. The landscape almost acts as a silent witness to this act of sibling rivalry fueled by jealousy. What roles does religion play here? Editor: The story itself comes from the Bible, so religion is central to the entire work. But how does that affect how we interpret it now? Curator: Exactly. Seventeenth-century interpretations would likely center on morality and divine will. However, from a contemporary lens, we can also analyze the psychological aspects: familial power dynamics, the construction of masculinity, and how the narrative intersects with themes of displacement and forced migration. Can we ignore modern theories when evaluating art with period symbolism and perspective? Editor: I never thought about applying theories to older art like this! I can see how analyzing the power structures represented in the engraving adds another layer of complexity. Thank you. Curator: It’s crucial to engage with art from all periods critically, examining its reflections on gender, class, and societal norms – both then and now. By bridging the historical context with contemporary dialogues, we ensure these artworks continue to resonate meaningfully. It’s been an absolute pleasure.