Staand meisje met kruik en mantel onder de arm by Anton Mauve

Staand meisje met kruik en mantel onder de arm 1848 - 1888

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drawing, watercolor

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portrait

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drawing

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aged paper

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toned paper

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light pencil work

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quirky sketch

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pencil sketch

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incomplete sketchy

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figuration

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personal sketchbook

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watercolor

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sketchbook drawing

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watercolour illustration

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genre-painting

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fantasy sketch

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realism

Dimensions height 336 mm, width 265 mm

Editor: So, this is "Standing Girl with Jug and Coat Under Her Arm," a watercolor and pencil drawing by Anton Mauve, dating from around 1848 to 1888. It's quite a simple image, really—a girl standing in what seems to be bare feet. What catches your eye when you look at this? Curator: It's fascinating how a seemingly simple genre painting, a 'realistic' rendering of a girl with everyday objects, carries so much symbolic weight. What is she holding, and how is she holding it? The jug isn't just a jug. It’s a symbol of provision, of daily life, and its shape may be more ancient, drawing a connection across generations. Editor: So you're saying that the ordinary jug gives the picture its deeper meaning? Curator: Exactly! It becomes a powerful symbol. Think of the symbolism connected to water – purity, cleansing, life. How is the water held? This gives clues to her role, to the burdens and the blessings in her life. Similarly, her coat…is it worn, or carried? The detail might appear mundane, but that simple addition shifts our understanding. This adds to her potential narrative: has she been somewhere or is she going somewhere? The coat’s presence hints at something beyond the immediate scene, hinting at a journey, both physical and perhaps metaphorical. The lack of shoes – more than just practical, isn’t it? Editor: Definitely. It changes how I look at her, from just a sketch to someone on a journey, carrying responsibilities. Curator: These objects and their symbolism aren’t static, they change across eras and cultures. Mauve’s choices imbue this image with meaning relevant to his time, perhaps reflecting on childhood and poverty, while resonating even now. Editor: So, understanding those layers transforms how we perceive her story. It makes me think differently about genre painting. Curator: Absolutely, it encourages us to consider how symbols embed themselves, becoming silent witnesses to culture across time. It moves this picture far beyond the initial "simple" sketch that you saw!

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