Neke nove misli 2012

Dragan Ilić Di Vogo made "Neke nove misli" with paint, and it feels like a conversation rather than a statement. The colors swirl, fighting and dancing together, never quite settling. Look at the way the paint is applied, it's so physical, it's not just about representation, it's about the act of painting itself. The surface is alive with textures, thick impasto clashing with transparent glazes. There's a sense of urgency, like the artist was wrestling with the medium, trying to capture something elusive. Notice that face on the left, emerging from the depths like a memory? It’s rendered in such a fluid way, the colors bleeding into each other, suggesting a mind in flux, restless. Di Vogo reminds me a little of Francis Picabia, that same willingness to embrace chaos and contradiction. It's a reminder that art is a process, not a product, and that ambiguity is a strength, not a weakness.