Behold now Behemoth which I made with thee by William Blake

Behold now Behemoth which I made with thee 1825

print, engraving

comic strip sketch

print

pen illustration

pen sketch

old engraving style

personal sketchbook

sketchwork

england

pen-ink sketch

pen work

sketchbook drawing

sketchbook art

engraving

"Behold now Behemoth which I made with thee" is a 1825 engraving by William Blake. This print is one of a series of 21 illustrations that Blake created for his book "The Book of Job". The engraving shows the "Behemoth," a monstrous creature of immense size and power. In the center of the composition, Behemoth stands over a Leviathan, both symbolizing forces of nature. Blake's engravings are known for their imaginative depictions of biblical tales and their intricate detail. This artwork's visual impact is enhanced by its delicate shading and the use of dramatic light and shadow, typical of Blake's style. The artwork is currently on display at the Minneapolis Institute of Art.

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minneapolisinstituteofart about 1 year ago

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Here, God explains the mystery of the incessant warfare in the human world. He reaches down through the cloud-barrier with his left hand to indicate Behemoth and Leviathan. These two creatures exist in man himself; God proclaims to Job "Behold now Behemoth which I made with thee." (Job xl: 15-24; lxi: 1-34). The cloud-barrier of Job's world includes the sphere in which they exist; it is a picture of the subconscious, the unredeemed portion of psyche, which the bulrushes identify as Egypt-the unredeemed portion of mankind. These are the terrible forces within man, against which he seems helpless: "the War by Sea enormous and the War by Land astounding, erecting pillars in the deepest Hell to reach the heavenly arches" (Blake, Jerusalem, 91: 39-42). They also function as a means of God's providence. Behemoth is "the chief ways of God": warfare of the spirit is one of the chief joys of Eternity, though when materialized on earth it is rendered deadly (Milton 34: 50-52; 35: 2-3). Leviathan is King over all the Children of Pride-that is, over all unredeemed mankind. His name means "coiled," and therefore he is depicted as having a huge spiral, representing the everlasting repetitions in the round of nature. At the upper corners, angels write the laws of the universe; at the lower corners are the eagles which Urizen sends forth in his work of creation (The Four Zoas ii: 150). Below are the emptied shells of the mortal bodies which are grown by man's spirit and then abandoned on the margin of the Sea of Time and Space.