About this artwork
This print, ‘Portraits of Maximilian’s Relatives’ by Albrecht Altdorfer, dated 1515, was made using the traditional process of woodcut. The image is formed by carefully removing areas from a block of wood, leaving a raised design, which is then inked and pressed onto paper. You can see the effect of this process in the crisp, graphic quality of the lines, which create a dense, almost architectural depiction of the Emperor Maximilian's lineage and power. The texture of the wood itself subtly influences the final print, adding a tactile dimension to the heraldic imagery. Woodcut was a relatively accessible medium at the time, yet its labor-intensive nature speaks to the vast amount of work required to produce and disseminate such propaganda. This print is not just a work of art, but also a document of social and political ambition, intricately linked to the modes of production and consumption of its time.
Portraits of Maximilian's Relatives; and The Base of the Right Outer Column with the Date 1515, from the Arch of Honor, proof, dated 1515, printed 1517-18
1515
Artwork details
- Medium
- drawing, print, woodcut, engraving
- Dimensions
- Sheet: 18 7/16 × 24 3/16 in. (46.8 × 61.5 cm)
- Location
- Metropolitan Museum of Art, New York, NY
- Copyright
- Public Domain
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About this artwork
This print, ‘Portraits of Maximilian’s Relatives’ by Albrecht Altdorfer, dated 1515, was made using the traditional process of woodcut. The image is formed by carefully removing areas from a block of wood, leaving a raised design, which is then inked and pressed onto paper. You can see the effect of this process in the crisp, graphic quality of the lines, which create a dense, almost architectural depiction of the Emperor Maximilian's lineage and power. The texture of the wood itself subtly influences the final print, adding a tactile dimension to the heraldic imagery. Woodcut was a relatively accessible medium at the time, yet its labor-intensive nature speaks to the vast amount of work required to produce and disseminate such propaganda. This print is not just a work of art, but also a document of social and political ambition, intricately linked to the modes of production and consumption of its time.
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