En løve på en klippe. Den ser efter en forbiflyvende fugl by H.W. Bissen

En løve på en klippe. Den ser efter en forbiflyvende fugl 1858

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drawing, pencil

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drawing

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landscape

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figuration

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pencil

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realism

Dimensions 169 mm (height) x 210 mm (width) (bladmaal)

Curator: This drawing, executed in pencil, is entitled "En løve på en klippe. Den ser efter en forbiflyvende fugl," or "A Lion on a Rock, Watching a Bird Fly By." It was created in 1858 by H.W. Bissen. Editor: It's… surprisingly gentle, isn’t it? Despite the potentially dramatic subject. The light touch with the pencil, the relatively small scale, all contribute to this feeling. And that sweeping curve of the tail. It's almost playful. Curator: Indeed. But perhaps that's the very tension Bissen sought to create. Think of the lion as a symbol. For centuries, the lion has signified imperial power, specifically male virility, brute strength, and domination in Western culture. Here, we see him… distracted. Editor: You're right; the compositional focus feels almost off-kilter, asymmetrical. The cliff edge dominates, the bird a mere suggestion in the bottom left corner. The weight of the lion shifts forward, visually unstable. It's as if the artist is deliberately undermining a traditional representation. Curator: Exactly! Consider Bissen’s position at the time: Denmark experienced tremendous political and military setbacks, so through a contemporary lens, the image then might signify a challenge to deeply entrenched power structures. The lion's diminished stance, literally "looking away" from its expected dominance, invites critiques of existing authority and promotes consideration of alternate world orders. Editor: It also is beautiful as a study in light. Note how Bissen uses cross-hatching to define the volume of the cliff and the mane, almost sculpting with the pencil. Curator: Precisely, even within apparent visual gentleness, the image is pregnant with both personal introspection and socio-political observation. It transcends a mere visual representation, becoming an allegorical commentary relevant both then and now. Editor: So, ultimately, a tender, almost subversive moment captured with precision. Curator: Agreed, a fascinating blend of the observed and the imagined that compels continual scrutiny.

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