Dimensions: support: 115 x 186 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: John Varley's sketch, a preliminary study for his 'Treatise on Zodiacal Physiognomy,' feels like catching a fleeting thought, doesn’t it? It's like eavesdropping on the artist's mind as he tries to capture a character. Editor: It definitely has an ephemeral quality. The light pencil strokes and handwritten notes give it such an intimate feel. What strikes you most about this sketch? Curator: The vulnerability of the creative process on display. He’s not just drawing a face; he's grappling with ideas about personality and how it's written on our bodies, a dance between science and imagination. It makes me wonder about the stories he saw in people's faces. Editor: It's fascinating how a simple sketch can open up such a rich world of ideas. It makes me want to study faces more closely. Curator: Exactly! Art invites us to find poetry in the everyday.
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http://www.tate.org.uk/art/artworks/varley-preliminary-sketch-for-plate-3-of-treatise-on-zodiacal-physiognomy-t06494
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This sketch includes instructions from Varley to the engraver, John Linnell, on how to improve his reproduction of Blake’s Head of a Ghost of a Flea: ‘if the pupil of the eye of the flea...is a little more touched it will be better but the mouth will be greatly benefitted if the lines & teeth are more clearly copied, the tongue of the flea is more defined & the teeth do not go so far back’. This attention to detail demonstrates the symbolic significance Varley attached to each aspect of the face and how seriously he took Blake’s work. Gallery label, March 2011