Dish 1841 - 1849

Curator: Looking at this "Dish", produced by William Ridgway, Son & Co. sometime between 1841 and 1849, the attention to detail in depicting a leisure scene on an everyday object gives it a compelling dual existence. Editor: There’s an immediate stillness conveyed, despite the detailed scene. The grayscale rendering of the landscape almost flattens the three-dimensional form of the plate itself. Curator: It's a fascinating intersection of the decorative and the functional, isn't it? During the 19th century, such pieces allowed the expanding middle class access to artistic representations of idyllic scenes, reflecting societal aspirations and idealized leisure. Displaying such dishware allowed individuals to showcase taste and refinement. Editor: From a compositional perspective, the way the bridge, waterfall, and figures are all placed on this gently curved surface creates a unique viewing experience. How the form enhances or even distorts elements of this decorative landscape fascinates me. Curator: And consider the implications of transferring idyllic landscape scenes onto domestic objects. It raises questions about accessibility to nature for the rising urban population in industrializing England. By having this kind of imagery present within their homes, what kind of dialogue about landscape, leisure and personal identity was perpetuated in middle class circles? Editor: Absolutely! By the close arrangement of visual details, a symbolic domestic microcosm emerges. And even by considering only line, form, texture we gain a deeper access to 19th century culture and visual art. Curator: Ultimately, a seemingly simple object becomes a window into understanding social dynamics and aspirations of that time. A unique way to view cultural values of England. Editor: A functional everyday dish, through composition, opens a range of opportunities to look and discuss!