Tetradrachm of Alexandria under Maximian c. 287 - 288

Editor: This is a Tetradrachm of Alexandria under Maximian from the Harvard Art Museums. The details are quite worn, but the profile and the bird are still discernible. What strikes you most about the composition of this piece? Curator: The die-cutting creates two distinct yet connected spheres of visual interest. The obverse, with the emperor's bust, is counterbalanced by the reverse, featuring the eagle. The patina, while obscuring detail, adds depth and textural complexity. Editor: So, the wear and tear are part of its aesthetic now? Curator: Precisely. The degradation introduces an element of chance, altering the original visual intent and creating a new dialogue between the object and its present viewer. Editor: I never considered that! It's fascinating how the coin’s physical form and composition create meaning. Curator: Indeed, by focusing on the artifact’s material presence, we gain unique insights into its enduring impact.