Caroline of Ansbach (1683–1737), Consort of George II of Great Britain and Ireland 1701 - 1717

This is a miniature portrait of Caroline of Ansbach, Consort of George II, created by Benjamin Arlaud. Notice how Arlaud masterfully uses the oval frame not merely as a boundary, but as an integral element that enhances the viewing experience. The composition is striking, with the sitter’s face and upper body centrally located. Her gaze meets ours directly, creating an immediate connection. Observe how Arlaud uses light and shadow to model her face, giving it volume and presence within the small space. The artist’s meticulous brushwork captures the texture of her hair and the delicate fabric of her dress. Consider the broader implications: the portrait is not simply a likeness, but a symbol of power and status, designed to circulate within a specific social and political context. The very act of miniaturization elevates the sitter, transforming her image into a precious and portable object. The formal qualities of Arlaud's work thus participate in a larger discourse about representation and the construction of identity.