Muurindeling met Korintische pilasters 1629 - 1703

Jean Marot’s “Muurindeling met Korintische pilasters”, was made in the 17th century, using etching. This is an intaglio printmaking process, where lines are incised into a metal plate, and then filled with ink to transfer the design onto paper. What I find fascinating here is how the print translates architectural ideas into a reproducible image, a commodity. The crisp lines and meticulous detail emphasize the formal qualities of classical architecture. Yet, the method itself has cultural significance. Etching allowed for the broad dissemination of design ideas. Marot was among a wave of artist-entrepreneurs, who profited by providing templates for a rising class of consumers. These were eager to incorporate high-style design into their own environments. Think about that: each line on this print represents a decision, and the cumulative effect is to democratize access to aristocratic taste. The act of making this print partakes in wider social issues of class, labor, politics, and consumption, challenging the traditional distinctions between fine art and craft.