Dimensions: sheet: 21.5 × 29.5 cm (8 7/16 × 11 5/8 in.)
Copyright: National Gallery of Art: CC0 1.0
Curator: Ah, look at this, a sketch of "Juno Seated on the Clouds" from the early 19th century, attributed to Luigi Brenta. It’s done with pen and ink. Editor: Floating goddess vibes, for sure! There’s a delicacy to the lines that I find so enchanting, a feeling like this is a dream unfolding on the page. It makes me feel as though the world is benevolent! Curator: The choice of Juno, Queen of the Gods, is interesting here, as is her depiction in such an ethereal space. We are moving out of a strong aristocratic visual system in Italy at this moment, although, of course, myth continues to hold sway within art and public life. Editor: Totally, it’s like a moment of calm, you know? Like even the most powerful beings sometimes just need a celestial chaise lounge and some fluffy cloud service. There's a humanity to this godly presentation that draws you in, or perhaps that's just my interpretation? Curator: Perhaps, although the use of allegory, common in academic art, might suggest something more complex, something related to statecraft or perhaps family politics of the Italian nobility and rising bourgeoisie. Consider, the art world continued its patterns under new paymasters and these myths often reinforced hierarchical models, after all. Juno embodies marriage, family, the stability of those institutions. Editor: I can see that read of the context...it is beautiful though, irrespective of whether one aligns with the institutions of the time! She’s reclining with such confidence, but it’s the movement in the clouds that does it for me. See those swirling lines suggesting power and grace! Curator: Exactly, that’s the artist working within an academic tradition to emphasize this subject's position. Also note how the lines aren't completely filled in, creating depth while highlighting an imagined public virtue, creating an aspiration. Editor: Maybe she’s judging us from above? Curator: Well, let's not give her that satisfaction just yet, eh? But seriously, artworks like these really demonstrate the visual conventions underpinning many different spheres of cultural and political life. Editor: True, and they help us feel deeply, hopefully guiding us in feeling things as wonderful as this!
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