Frogs 1966

Curator: Paul Rebeyrolle's print, simply titled "Frogs," part of the Tate collection, presents us with an intriguing study of the natural world. Editor: The first thing that strikes me is the almost violent energy in the composition, despite the fairly muted green and grey palette. Curator: Rebeyrolle was very interested in nature and his work often reflects his engagement with social and political issues. So, these frogs might symbolize something more. Editor: Yes, the gestural marks, the almost brutal application of color—it’s less about precise representation and more about a raw, visceral expression. The forms are almost broken down. Curator: Indeed, Rebeyrolle frequently used animals to explore themes of power, freedom, and confinement, offering critiques of societal structures. Editor: It is curious how such simple colors evoke such complexity and tension. Curator: Ultimately, Rebeyrolle invites us to consider our relationship to the natural world and the systems of power that govern it. Editor: The boldness of form combined with such earth-tones makes for a surprisingly affecting viewing experience.