Baby's Hat by Turkoman

Baby's Hat c. 1890 - 1930

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fibre-art, textile, cotton

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fibre-art

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textile

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cotton

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islamic-art

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decorative-art

Dimensions: 3 3/16 x 5 x 5 in. (8.1 x 12.7 x 12.7 cm)

Copyright: Public Domain

Curator: And here we have a "Baby's Hat," likely created between 1890 and 1930 by a Turkoman artist. The piece is an example of fibre art made with cotton. Editor: Oh, it’s delightful. So vibrant! It looks like something straight out of a fairy tale, incredibly ornate for such a small object. Curator: Absolutely. Examining the meticulous stitching, one immediately considers the labor involved. What did the production and access to dyed threads mean? How was this garment's value determined? It pushes us to contemplate trade networks and localized craft practices of the time. Editor: It’s astounding to imagine the countless hours someone lovingly spent embroidering this little masterpiece. The dedication speaks volumes. There's almost a lullaby in the circular design that feels protective, warm. Do you think the intricate patterns served a protective purpose, too, warding off, perhaps, bad luck or evil spirits? Curator: It's highly probable. Textiles often held symbolic meaning and were integral to cultural rituals. We see, with the application of dense embroidery in particular colors, what could signal status but, moreover, could operate as talismans. Editor: When you mention it that way, each carefully chosen color, each stitch, starts reading like an incantation or a wish, and that tassel is like a little dream catcher... This hat, far more than keeping a baby's head warm, becomes a concentrated source of hope and affection. Curator: Yes, absolutely. And the hat isn’t just beautiful, but a testament to material availability and artisanship. Who produced it? And under what conditions? These details remind us to understand and appreciate art beyond simple aesthetics. Editor: It does indeed. So much labor, hope, culture... squished into this miniature hat. Almost makes you want to hold on tightly to the world, like it once held a baby's head. Curator: Indeed, let’s remember its legacy is as much social as it is visual. Editor: A tiny object absolutely teeming with texture and intent, as an embodiment of history. Thank you for illuminating my perceptions today!

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