Convivio delle Belle Donne, page 12 (verso) 1532

This woodcut illustration, made by Nicolò Zoppino around 1507, showcases a complex knot pattern, a motif with deep roots across cultures. Interwoven designs were popular in Islamic art, symbolizing the infinite nature of God. Similar patterns can be found in Celtic art, where knots represented eternity and interconnectedness. Even earlier, the Gordian Knot in ancient Phrygia was a symbol of insoluble problems, famously cut by Alexander the Great. Here, Zoppino subtly blends these traditions, presenting a labyrinthine design. The emotional power of such patterns lies in their ability to evoke both order and chaos, suggesting a world of hidden connections, engaging viewers on a deep, subconscious level. Like a dream, these forms reflect our desire to find patterns where there may be none, projecting our psychological needs. The knot motif resurfaces through history, adapting to different cultural contexts, each time with new meaning.