Second Presbyterian Church, Chicago, Illinois, East Elevation 1874

This is Renwick and Sands' architectural drawing of the east elevation of the Second Presbyterian Church in Chicago. The facade presents a symphony of geometric forms steeped in symbolism. Dominating the composition is the rose window, a motif resonating with cosmic and spiritual significance. A symbol of divine perfection, harmony, and unity, it’s echoed across cultures, from ancient sun disks to the elaborate mandalas of Eastern traditions. Here, it’s a focal point, inviting contemplation of the infinite. The pointed arches above windows and doorways are more than structural elements; they're visual cues borrowed from Gothic architecture, evoking a sense of aspiration and transcendence. Think of their earlier appearances in Islamic architecture, which represent gateways to the divine, subtly transforming as they spread through Europe during the medieval era. These symbols engage us on a deeper, subconscious level, reminding us of humanity's enduring quest for meaning. A collective memory embedded in visual forms that echoes through time.