Here we see ‘Konkav gerundet’ by Rupprecht Geiger, made using stone. The stone’s mass dictates this sculpture’s monumentality. Its inherent weightiness is emphasized by its concavity and rounded edges. The smooth texture invites touch, yet discourages interaction due to the sheer scale of the piece. Geiger no doubt relied on industrial processes to move and shape the stone. The labor-intensive process involved in quarrying, cutting, and polishing imbues the artwork with a sense of human effort, even in the absence of visible tool marks. Geiger’s choice of material and methods reflect a blend of traditional sculptural practices and modern industrial capabilities. Understanding these aspects allows us to appreciate the work not just as an aesthetic object, but as a testament to materiality, labor, and context. This challenges conventional separations between art, craft, and the wider world of making.
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