Paperweight c. 1845 - 1860

Curator: Here we have a paperweight, made circa 1845 to 1860, crafted by the Compagnie de Saint Louis. The primary materials, as you can see, are glass and paper. Editor: It's charming! The encased bouquet has a rather formal, almost miniature garden quality about it. What can you tell me about this technique? Curator: These paperweights showcase the skilled craftsmanship within the glassmaking industry during the 19th century. By understanding the materials and methods involved, such as lampworking the delicate flowers, we recognize how they blurred lines between industrial production and artisanal skill. They were certainly luxury goods. Editor: It’s also a political object. This tiny encapsulated world was produced during the era of expanding industrialization and middle class aspirations. These fragile beauties, despite their mundane purpose, were obviously status symbols that made an explicit statement about one's position in the rapidly transforming social structure. They show how domestic spaces also display shifting socio-economic positions. Curator: Exactly! The use of millefiori, where individual glass rods are bundled and fused, then sliced to reveal floral patterns, is particularly intriguing. Mass-produced elements juxtapose with unique handwork. I’m fascinated by the relationship between technology, craft and commerce embodied by these little things. Editor: And think about who collected and preserved these objects. Wealthy families certainly amassed entire collections, and how those acquisitions fueled local economies tied to artistic craftsmanship. Public displays certainly solidified their place as objects of veneration in our culture. Curator: It's a compelling demonstration of the intricate social connections inherent in material goods. The intersection of technique and availability reveals much about shifting labor practices of the era, don’t you agree? Editor: Absolutely, and reflecting on their creation and consumption habits tells us so much about 19th century material culture! Thanks for this lovely exploration. Curator: A real delight, looking at the fusion of beauty, industry and labour!