A Lady, costume sketch for Henry Irving’s Planned Production of King Richard II 

Edwin Austin Abbey made this watercolor costume sketch for Henry Irving’s planned production of Shakespeare’s King Richard II. The image offers insight into the cultural reception of Shakespeare in late 19th century Britain, where historical accuracy was increasingly valued. Irving, a prominent actor-manager, aimed to create historically plausible productions. Costume designs like this one resulted from research into period clothing, reflecting a growing interest in the material culture of the past. The sketch suggests a self-conscious effort to evoke a sense of historical authenticity. By examining archival materials such as playbills, theatre reviews, and costume inventories, the social historian can further illuminate the cultural values and aesthetic preferences that shaped theatrical productions of Shakespeare during this period. Understanding the institutional context helps us appreciate the changing ways in which the past has been presented and interpreted on the stage.