Reisalbum met foto's van bezienswaardigheden in Japan by diverse vervaardigers

Reisalbum met foto's van bezienswaardigheden in Japan c. 1870 - 1900

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paper, photography, albumen-print

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still-life-photography

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toned paper

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muted colour palette

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impressionism

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asian-art

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paper texture

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paper

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photography

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grainy texture

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nude colour palette

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chalky texture

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orientalism

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albumen-print

Dimensions height 260 mm, width 725 mm, width 355 mm, thickness 55 mm

Editor: Here we have a "Reisalbum met foto's van bezienswaardigheden in Japan," or Travel Album with Photos of Japanese Landmarks, dating from around 1870 to 1900, currently residing at the Rijksmuseum. It's an albumen print on paper. The neutral tones give it an antique feel. What stands out to you about this work? Curator: What captures my attention immediately is the deliberate preservation of cultural memory within this object. The "Reisalbum" speaks volumes about the Western gaze upon Japan during a period of significant transformation. Consider the albumen print—a photographic process highly popular then—applied to images of Japanese landmarks. What inherent biases might that visual format bring? Editor: Biases? You mean how Western photographers might have framed Japanese culture through their own lenses? Curator: Precisely. It's not simply a record; it's an interpretation. What symbols do you notice being consistently represented? Architecture? Landscapes? Individuals? Consider also the presentation within an album—a carefully curated selection designed for a specific audience and purpose. How does this influence the narrative being constructed? Editor: So the act of collecting and organizing these images creates a kind of controlled story, shaping how people back then understood Japan? I guess I hadn't thought about it that way. It seemed like just a collection of photos. Curator: Exactly. Each image and its placement resonate with intended and perhaps unintended meanings. Examining the images themselves—the clothing, the poses, the settings—can unlock a treasure trove of information about cultural exchange and potential misinterpretations. How do these photos speak to the dialogue between East and West at this historical juncture? Editor: This gives me a new appreciation for something as seemingly simple as an old photo album! Now I see there are layers of meaning hiding just beneath the surface. Curator: Indeed. By decoding these visual cues, we uncover complex narratives of cross-cultural understanding and the enduring power of images.

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