PLANETS IN MY HEAD, MUSIC II 2018

Editor: We're looking at Yinka Shonibare's mixed media sculpture, "Planets In My Head, Music II," from 2018. The figure is striking with vibrant fabric, almost dizzying in its boldness, contrasted by the cool, dark globe in place of a head. What do you make of this piece? Curator: It's important to remember that Shonibare often employs Dutch wax fabric, which, despite its association with Africa, actually has Indonesian origins and was industrialized by the Dutch. He uses it to explore themes of colonialism, cultural appropriation, and identity. Editor: Oh, I didn't know the fabric had such a complex history! So the figure playing the flute... is that commenting on something specific? Curator: Consider the flute itself. Who historically had access to musical education? Who was depicted in artistic patronage? The headless figure suggests a destabilization of identity, maybe the artist is questioning historical representation? Editor: That makes me think about how often non-white figures have been marginalized or stereotyped in Western art. The lack of a head, as you said, could be seen as erasing individuality while also pointing to the history of cultural erasure. Curator: Exactly. And that globe substituting for a head complicates things further. It could symbolize globalization, knowledge, or even the weight of history itself. Do you think it evokes optimism, or something darker? Editor: Perhaps a bit of both? The "planets in my head" idea suggests ambition and thought, but the darkness of the globe feels heavy, almost oppressive. Curator: It's a productive tension. Shonibare creates pieces that are visually captivating but carry potent historical and political undertones. It forces us to confront uncomfortable truths. Editor: I’m starting to see this isn’t just about surface appearances, but a deep interrogation of history and power. Thanks for pointing out how the symbolism and materials connect. Curator: Indeed. The power of art lies in its ability to ignite crucial dialogues.