Duke of Rosebery, from the Racing Colors of the World series (N22a) for Allen & Ginter Cigarettes 1888
drawing, coloured-pencil, print
portrait
drawing
coloured-pencil
caricature
coloured pencil
portrait drawing
portrait art
Dimensions Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm)
Curator: This colorful little piece is titled "Duke of Rosebery, from the Racing Colors of the World series (N22a) for Allen & Ginter Cigarettes," created in 1888. It's a colored-pencil drawing and print. Editor: It's wonderfully peculiar, isn't it? Almost dreamlike, with that stippled texture and the way the figure seems suspended against a pastel background. Curator: Indeed. Allen & Ginter, a cigarette manufacturer, used these cards as collectibles, tucked inside their packs. Note the repetitive, rhythmic bands of pink and gold; observe how his posture presents the tools of his trade – not weapons of war, but implements of equestrian competition. Editor: The jockeys' colors themselves served as emblems. Each hue, each pattern, becomes a signifier. This particular combination—pink and gold hoops— would have instantly telegraphed the Duke’s identity and prestige to anyone familiar with racing culture. Consider it a coat-of-arms, rendered in silk and thread. Curator: Precisely! The application of colored pencil achieves a textured effect, softening the hard lines one might expect in commercial lithography. This suggests a certain elegance, an attempt to elevate a mass-produced item into the realm of artistry. The composition itself directs the eye. See the gesture of the right arm reaching back and pulling us towards the Rosebery’s gaze. Editor: There’s a subtle tension there. The angle suggests an almost reluctant glance back. Is it self-consciousness, a touch of anxiety beneath the aristocratic veneer? I see the same symbolism play out in fashion and identity construction today; even subtle cues telegraph so much more than status. It reveals anxieties about belonging, about presenting a curated self. Curator: Well said. Looking closely, one observes how the textures form patterns, leading to further observations. It has been enlightening to consider these various visual properties and connections. Editor: Absolutely. This tiny portrait has unlocked an entire world of meaning! Who knew a cigarette card could speak so eloquently.
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