Tweede Pinksterdag 1933 by N.V. Vereenigde Fotobureaux

Tweede Pinksterdag 1933 Possibly 1933 - 1936

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photography, gelatin-silver-print

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portrait

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photography

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group-portraits

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gelatin-silver-print

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modernism

Dimensions height 164 mm, width 225 mm, height 210 mm, width 285 mm

Editor: Here we have "Tweede Pinksterdag 1933," a gelatin silver print possibly taken between 1933 and 1936 by N.V. Vereenigde Fotobureaux. It’s a large group portrait. All those faces, staring out from the past. It feels quite formal and a little…imposing. What strikes you most about it? Curator: The sheer number of people assembled. A collective portrait holds potent symbolic weight, doesn't it? Consider the date, likely mid-1930s, Europe was on the cusp of profound upheaval. Group photos like these often speak to a desire for unity, for shared identity in the face of uncertainty. Do you notice any repeated visual motifs or symbols? Editor: Yes! There are the women at the front. Many wear what look like matching capes, perhaps signifying some shared association or organization? And a flag is held by one of them. Curator: Precisely. Those repeating forms – the capes, the flag – operate as visual anchors. They establish a sense of belonging. Think about the psychology of group identity: uniforms, symbols, rituals—these are all ways we visually declare ourselves part of a whole. What might "Tweede Pinksterdag" or Whitsun signify in this context? Editor: I hadn’t thought about the religious significance…Whitsun is a Christian festival. Maybe this gathering had something to do with a church or religious community? Curator: Exactly! Consider how cultural memory shapes our understanding of these images. Religious faith, communal identity, all expressed through this very deliberate arrangement. The flag most likely represents a religious or spiritual concept related to the Pentecostal celebration. And the style - Modernism. Editor: This makes me think differently about the photograph. I was drawn to its formal quality initially, but now I see a complex web of symbolism and social meaning. Thanks! Curator: And I found myself pondering the psychological weight of photographic portraiture and collective memory, particularly in periods of societal anxiety. A truly thought-provoking piece.

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