Stigmatisation of St. Francis 1600

El Greco painted The Stigmatization of St. Francis with oil on canvas. In this period, painters usually relied on workshops to prepare the canvas and grind the pigments, although the artist would retain control of the composition. Observe the expressive brushwork, visible especially in the robes. The rough texture and loose handling of the paint suggest a rapid, intuitive process. You can also notice the way the artist has used light and shadow to create a sense of drama and spirituality. The earth tones emphasize the humility and asceticism of the saint. This painting reflects the Counter-Reformation's emphasis on religious experience. Its lack of ostentation contrasts with the opulence of courtly life. The intense emotion suggests a deep commitment and perhaps hints at social reform. It reminds us that artmaking involves both technical skill and a connection to cultural values.