Fransche mariniers. Zesduizend van deze keurtroepen hielden voor Dixmuide (België) meer dan 45.000 Duitschers van 16 October tot 10 November 1914 tot staan (...) by Sémaphore

Fransche mariniers. Zesduizend van deze keurtroepen hielden voor Dixmuide (België) meer dan 45.000 Duitschers van 16 October tot 10 November 1914 tot staan (...) 1914 - 1915

0:00
0:00

photography, gelatin-silver-print

# 

portrait

# 

landscape

# 

archive photography

# 

photography

# 

historical photography

# 

gelatin-silver-print

# 

realism

Dimensions height 90 mm, width 140 mm

Editor: This is a gelatin silver print titled "Fransche mariniers…" taken between 1914 and 1915. It depicts French marines. I’m immediately struck by the relentless forward movement created by the marching figures, a somber quality too, considering the subject matter. What stands out to you when you look at this piece? Curator: Primarily, I am drawn to the interplay of lines and forms that structure the photograph. Consider the rigid verticality of the buildings juxtaposed with the slightly angled rifles carried by the marines. Notice too how light and shadow sculpt the figures, lending a sculptural quality to what might otherwise be a document. Does this calculated balance of shapes and shades convey to you something beyond the simple record of an event? Editor: Yes, I see that now, especially the light. The photographer definitely paid attention to composition, and it doesn’t feel purely documentary. It's quite intentional in its design, would you agree? Curator: Precisely. The photographer uses a sophisticated arrangement of tonal values to lead the eye. Note the contrast between the foreground figures and the diminishing presence of those further back, suggesting depth and emphasizing the relentless march you pointed out initially. Do you see how these elements, carefully managed, contribute to an overall sense of controlled movement and gravitas? Editor: Definitely, it's more than just men walking; it’s an image about purpose and direction. It almost feels staged in its careful balance of figures and the play of light and shadow. The buildings, almost like a frame, also contribute to that feeling of forward momentum you mention. Thanks for pointing all that out! Curator: My pleasure. It’s a powerful piece of photographic artistry from an era of rapid technological change and widespread social upheaval, don't you think? Examining the formal elements offers us valuable insights, and deepens the viewers understanding of a piece beyond the initial impact.

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.