Hollandse penning van Floris V, 1256-1296 by Floris V (graaf van Holland en Zeeland)

Hollandse penning van Floris V, 1256-1296 1256 - 1258

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bronze

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portrait

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medieval

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bronze

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ancient-mediterranean

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miniature

Dimensions diameter 1.2 cm, weight 0.60 gr

Editor: We’re looking at a bronze coin depicting Floris V, Count of Holland and Zeeland. It dates back to between 1256 and 1296. It’s quite small. What strikes me is how a seemingly mundane object can also be a potent symbol of power. What do you see in this piece? Curator: Absolutely. Coins are never just currency; they are embedded with ideologies. Think about the very act of creating and distributing currency – it's an assertion of sovereign power. Here, we see Floris V represented, likely how he wished to be seen: legitimate, powerful. Consider, too, who *isn't* represented. Where are the common people? Whose labor created the wealth this coin represents? Coins become a focal point to dissect historical power dynamics and question whose stories are told – and, more importantly, whose are omitted. Editor: That’s a compelling perspective. It’s easy to overlook the layers of meaning embedded within such a small object. How does this particular coin fit into broader historical narratives? Curator: The era of Floris V was one of shifting power. He strategically navigated the complex political landscape of the Holy Roman Empire. Coins like this were tools, reinforcing his authority internally and signaling his status externally. How does this make you rethink how the figure of Floris V himself may have used portraiture on the coin to advance an agenda? Editor: So, it was a form of propaganda, in a way? A tool to legitimize rule and project an image? I never considered coins in that light before! Curator: Exactly! The portrait isn’t simply a likeness, but a carefully crafted representation that speaks volumes about the values and ambitions of the ruler and the society that produced it. And this helps us critically examine the narratives we inherit. Editor: I’ll definitely be looking at coins – and all historical portraits – differently now! Thanks!

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