Manuel Aragón (Costa-Rican delegate) 1889 - 1890

Editor: This portrait depicts Manuel Aragón, a Costa Rican delegate, by Mathew Brady. The sepia tones give it such a tangible, historical feel. What strikes you about it? Curator: Consider the context: Brady's studio mass-produced these cartes-de-visite. The materiality of photography allowed for dissemination of images of power. How does this impact our understanding of Aragón’s status and representation? Editor: That’s a great point. The mass production aspect shifts the focus from individual artistry to broader social implications. Curator: Exactly! And the albumen print process itself becomes a key element in understanding its cultural value. Editor: I'll definitely look at photography with a new perspective now!