Without a Sound 

Curator: Julie Bell’s painting, "Without a Sound," is an evocative animal portrait rendered with the rich texture of oil paint. Editor: I’m struck by how close these horses are, how their forms intertwine almost intimately. It feels hushed, secretive. Curator: Bell's realism certainly contributes to that sensation, focusing minutely on each hair, muscle, and shadow. Considering her background, working across genres that blend fantasy and the real, her technique gives us not just a likeness, but palpable presence. Editor: Yes, it’s the play of light that does it. Look how the setting sun washes over them, transforming ordinary muscle into something almost golden and mythical. I'm especially drawn to the contrast between the light falling on the one on the right and the depth of shade on the left; it amplifies this powerful connection, maybe even trust. Curator: Precisely, but notice the economy of the canvas— Bell chooses not to paint inessential backgrounds, eliminating noise and placing our full attention on their heads and the connection you speak of. This wasn’t uncommon amongst animaliers focusing on intimate animal studies. Editor: Makes you think what they are saying. Are they at ease, or maybe exchanging urgent secrets? Bell has created a world that leaves room for countless questions and answers, so open, quiet and deep. Curator: Indeed, while the artist offers technical excellence, its ability to spark imaginative inquiry renders the work more relevant than just representation. Bell brings life not only through accurate detail, but, also, with sensitive touch, making "Without a Sound," an engaging invitation. Editor: In the end it makes you realise that silence isn't always the absence of noise, more of an allowance for deeper feeling to be felt. What a beautiful way to start looking at art - in silence!