Portret van Wukassevich, generaal van Mantua 1769 - 1838

Editor: This is a print from sometime between 1769 and 1838, "Portrait of Wukassevich, General of Mantua," by Carlo Lasinio. The textures created through the engraving are so intriguing, almost fabric-like. What draws your eye to this piece? Curator: I'm immediately drawn to the labor involved in creating this print. Consider the engraver's meticulous process, the precise cuts into the metal plate, the careful inking and printing. The finished work is a commodity, yes, but it’s born from a very physical, deliberate act of production. Editor: That makes me think about the role of prints in disseminating images and ideas. How does the print medium affect our understanding of the general himself? Curator: Precisely! Printmaking allowed for mass production and circulation of images. The "General of Mantua" gains prestige through reproduction. It transforms his likeness into a consumable object. Did Lasinio's workshop operate independently, or was he tied to a larger publishing house influencing image and message? Also, think of who consumed this imagery and why! Editor: That's a great question – it makes me wonder about the market for portraits like this. It looks like the general is framed by weaponry – are those pikes? Curator: They appear to be, indeed. They signify the general's military status. Note, however, that this print utilizes pre-existing materials and established methods. Look closely at the lines, the shading - baroque portraiture meets industrialized reproduction, complicating notions of 'originality'. What societal structures supported this industry? Who profited? Editor: So much to think about regarding consumption and context! I now better understand the complex forces behind a seemingly straightforward portrait. Curator: Exactly. Analyzing material production and its social impact reveals hidden power dynamics and sheds light on this general's place in the world.