Editor: Here we have Carl Wilhelm Kolbe’s "Rustic Bridge over a Swamp," from the Harvard Art Museums. It looks like an etching, with incredible detail. I’m struck by the contrast between the wild, almost chaotic, nature and the very human-made bridge. What do you see in this print? Curator: I see a commentary on resourcefulness. Consider the materials Kolbe depicts: wood, earth, water. The bridge, seemingly cobbled together from readily available resources, speaks to the human manipulation of nature for necessity. How does the means of producing the etching itself—the labor, the materials—relate to the scene? Editor: That’s interesting. The etching process itself is a kind of manipulation of materials, mirroring what’s happening in the image. I hadn’t thought of it that way. Curator: Exactly. And notice the figure on the path; consider the labor involved in traversing this landscape, relying on this rough-hewn bridge for passage. It makes you consider the conditions of living. Editor: I see your point. I’ll definitely look at art through a material lens from now on. Curator: And I'll appreciate the artistic skill more!
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