Ornament met twee duiven 1720

Editor: This is "Ornament met twee duiven," or "Ornament with Two Doves," an engraving by Bernard Picart from 1720. It's got this delicate, almost lace-like quality with all the fine lines, and it seems almost weightless. What strikes you about this piece? Curator: Weightless is a fantastic way to put it! It’s all air and possibility, isn’t it? To me, it feels like peeking into the dream life of the Baroque era. Think about it: this isn’t just decoration; it’s a statement. A whisper of luxury and a longing for elegance in everyday life. Do you get that sense of theatricality, the sense that even simple forms become something almost performative? Editor: Definitely, like it’s more than just a drawing. So the doves – what do they symbolize here? Curator: Ah, the doves. They're nestled at the center, almost a secret. In the 18th century, doves weren't just birds; they were emblems of peace, love, and devotion. By placing them in the heart of this swirling design, Picart is suggesting that these values are central to a beautiful life, interwoven into its very fabric. Maybe even a little nod to marital bliss – those lovebirds looking awfully cozy, don't you think? Editor: That makes sense! I hadn’t really considered the symbolism. It's more than just decoration. Curator: Exactly! It is a lovely interplay between the formal and the symbolic. Perhaps, an anticipation of later Viennese Secessionist sensibilities, maybe? What do you make of that shell motif at the top? Editor: It definitely ties in to the overall style. I now feel that I can use the clues provided in an image to consider the place, culture and society in which it was made. Thank you. Curator: My pleasure! Remember, every line tells a story if you know how to listen.