Vijf bacchanten 1618 - 1655

Curator: Before us we have “Five Bacchanals,” an engraving created by Cornelis Schut sometime between 1618 and 1655, now residing here at the Rijksmuseum. Editor: My first impression is pure chaos, but in a delightfully mischievous way! A cluster of cherubic figures caught in a moment of ecstatic abandon. Curator: The composition draws directly from Baroque sensibilities with its busy, energetic arrangement. These bacchanals or putti allude to the ancient Roman festivities honoring Bacchus, god of wine and revelry. We see this translated through these classical, idealized bodies. Editor: I'm struck by how Schut uses the image of the bacchanal-- traditionally adult participants engaged in these feasts-- and cleverly subverts the whole nature of it with the use of children. It gives it a lighter, almost humorous edge while alluding to that powerful cultural archetype. Curator: Exactly, the historical placement of children offers a safer mode to allude to classical excesses in times or places where those topics could otherwise be frowned upon. It reminds us that how these imageries come to light is often influenced by institutions like the church, state, and even just general audience expectations. Editor: I think too about how engraving allows these symbols to become readily available. Bacchus and his revelry could now be multiplied across numerous households or scholarly collections, carrying that cultural memory through the centuries. Even more, it places the common citizen in possession of culturally significant information formerly held only by elites. Curator: That's a potent observation! The democratizing aspect of the printed image is often overlooked, but so crucial. What stands out to me is how this scene plays with the relationship between art and society, between acceptable and transgressive behavior. Editor: Ultimately, despite its chaotic energy and layers of historical context, this print leaves me feeling cheerful. It is a vibrant echo of traditions interpreted, and refreshed with mischievous delight! Curator: Agreed, a potent reminder that the most captivating art often plays on these dynamics in thoughtful and nuanced ways.