Zes pence, noodmunt van Jacobus II, koning van Engeland, uit februari 1689 by Anonymous

Zes pence, noodmunt van Jacobus II, koning van Engeland, uit februari 1689 1689

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metal, engraving

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portrait

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medieval

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baroque

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metal

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history-painting

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coin

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engraving

Dimensions diameter 2.2 cm, weight 3.59 gr

Editor: So, this is a sixpence, an emergency coin from February 1689, featuring James II, King of England. It's small, obviously, made of metal, and the engraving seems pretty worn. What strikes me is the sheer weight of history embedded in something so small and seemingly insignificant. What do you see in this piece? Curator: Indeed! For me, this coin transcends its material value; it’s a powerful emblem of cultural memory. Coins are potent symbols; they were not only currency, but tools of propaganda. Notice how the portrait of James is purposefully regal, despite the emergency circumstances. How does this portrait function, do you think? Editor: Well, even in a crisis, he’s still trying to project power, right? To project an image of enduring kingship, even when things were clearly falling apart. Curator: Exactly! Consider the symbolism of the crown and royal cypher on the reverse. These aren't merely decorative elements; they represent the continuity of the monarchy, even as James II’s reign teetered on the brink. Think about how potent symbols were used in Medieval or Baroque times, and how effectively they carry cultural weight even to this day. The very act of creating emergency coinage speaks volumes about desperation and resilience. How does that compare to how money signifies identity now? Editor: It’s fascinating how an object like this coin encapsulates so much historical and psychological depth. I never thought of coinage as a form of self-preservation, not just economic, but also symbolic. Curator: Precisely! This humble sixpence serves as a miniature time capsule, preserving and transmitting cultural anxieties and aspirations across centuries. It really underlines the psychological power inherent in even the smallest objects. Editor: Definitely! I’ll never look at old coins the same way again.

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