Augustus: vissen (maagd) by Antonio Tempesta

Augustus: vissen (maagd) 1599

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print, engraving

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print

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landscape

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mannerism

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history-painting

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engraving

Dimensions height 197 mm, width 280 mm

Curator: The work before us, "Augustus: vissen (maagd)" created in 1599 by Antonio Tempesta, is a remarkable example of mannerist engraving. You can currently find it here at the Rijksmuseum. What catches your eye first about this scene? Editor: Immediately, it’s this sense of… organised chaos! The landscape is bustling with figures, boats, animals. There's a dynamic, almost frantic energy, but it's all rendered in such precise detail. I find the figures wading into the water particularly compelling. Curator: It is certainly dynamic. These scenes representing the months were quite popular, weren't they? This is August, depicted within the zodiac sign of Virgo, also referred to as the Fishes here. What do you make of its symbolic layering, of earthly toil intertwined with celestial guidance? Editor: Well, you know I’m always drawn to how artworks reflect the human condition, and to see this blend of the mundane and the mythical – labourers seemingly oblivious to the winged figure watching from above - makes me think about our daily grind versus some grander, possibly unknowable plan. Or lack thereof, perhaps! Curator: Indeed. The meticulous detailing of the engraving gives each element—from the architecture in the background to the individual expressions on the figures’ faces—a particular weight, doesn’t it? Tempesta, clearly adept at history-painting, provides a very descriptive rendering. Do you think that precision adds to the overall impact? Editor: Absolutely. The crisp lines enhance the contrast. You have this vibrant scene, yet it's contained and controlled, like a carefully choreographed dance. But that control ironically makes the chaos more compelling. Look how they interact. Is the figure getting into the water for assistance, or is he there to cause further chaos? I'm instantly captivated! Curator: A final reflection? Editor: It's an exquisite depiction of controlled frenzy, beautifully rendering human experience amid larger, timeless forces. It certainly provokes that contemplative "ahhh" that I chase so desperately. Curator: Precisely! A potent demonstration of art echoing life’s complexities, then and now. Thank you.

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