Pat Sabatine's Eleventh Birthday Party, Martins Creek, Pennsylvania by Larry Fink

Pat Sabatine's Eleventh Birthday Party, Martins Creek, Pennsylvania 1980

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photography, gelatin-silver-print

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portrait

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contemporary

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wedding photograph

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black and white photography

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black and white format

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archive photography

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photography

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historical photography

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black and white theme

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cultural celebration

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black and white

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gelatin-silver-print

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monochrome photography

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genre-painting

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celebration photography

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realism

Dimensions: image: 37.1 × 38 cm (14 5/8 × 14 15/16 in.) sheet: 50.4 × 40.4 cm (19 13/16 × 15 7/8 in.)

Copyright: National Gallery of Art: CC0 1.0

Editor: Larry Fink's photograph, "Pat Sabatine's Eleventh Birthday Party, Martins Creek, Pennsylvania" from 1980, captured with gelatin-silver print. It's stark, but it feels very authentic, almost raw in its portrayal of an intimate setting. What catches your attention most when you look at this photograph? Curator: The accumulation of materials interests me, it reflects lived experience, specifically working-class experience in that area. Consider the beer bottles, the crowded space, the landline phone – each of these is produced and then consumed within specific economic structures. Editor: So, you’re saying the photograph highlights the tangible realities of a certain socioeconomic group at a specific time? Curator: Precisely. It moves beyond a simple snapshot of a birthday. Think about the labor involved in producing all of those things within the frame and how their presence speaks to cultural and economic patterns. What materials would be present today in an 11 year old's party and how does that illustrate new modes of consumption? Editor: I hadn't considered it that way. Seeing it as a record of material culture really adds another layer of meaning. It’s like the photo is presenting evidence. Curator: Indeed, the photograph highlights the production and consumption that defines this social setting and making. But how does this photograph and its composition relate to more conventional types of "fine art" photography that were emerging in this period? Editor: Now that you point that out, I think this is way more genuine. Like you can trust that Fink just captured the real vibe of this birthday! Thanks, I am starting to understand that we can unpack so much from just one image. Curator: Exactly! The magic is that by focusing on the material realities, we learn about larger economic systems, labor and people in an exciting way.

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