Thanx Joseph 1988

Editor: So, here we have Conrad Atkinson's "Thanx Joseph" from 1988, a print incorporating The Wall Street Journal. The overlaid images and handwritten text give it a really confrontational feel. How do you interpret this work in light of its historical context? Curator: It's a potent critique of the art market and its intersection with global finance. The Wall Street Journal, a symbol of capitalist power, is juxtaposed with imagery that likely references social issues or political events. Editor: The handwritten "Thanx Joseph"... who might Joseph be? Curator: Most likely Joseph Beuys, a very influential artist. Atkinson, like Beuys, often used art to engage with social and political concerns. Do you see the red "X" as a cancellation or something else? Editor: I hadn't thought of it as a cancellation, but that makes sense! It’s like he’s crossing out the values represented by the newspaper. Curator: Exactly. It raises questions about the commodification of art and its role in society. Editor: I never thought of newspapers being used this way. I definitely have a new perspective on the piece! Curator: And hopefully, a new perspective on the artist's role in critiquing power structures.