Verzameling portretten van Indiase mannen ter illustratie van verschillende mannenkleding by Anonymous

Verzameling portretten van Indiase mannen ter illustratie van verschillende mannenkleding before 1866

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print, photography, albumen-print

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portrait

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print

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photography

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orientalism

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albumen-print

Dimensions: height 260 mm, width 205 mm

Copyright: Rijks Museum: Open Domain

Curator: This albumen print, titled “Verzameling portretten van Indiase mannen ter illustratie van verschillende mannenkleding”, or Collection of portraits of Indian men to illustrate various men's clothing, was created anonymously before 1866. Its graphic arrangement, a collection of portraits within a bounded space, feels quite orderly. What stands out to you? Editor: Immediately, I'm struck by the colonial gaze, meticulously cataloging and presenting these men almost as specimens. The attempt to categorize, even if ethnographic in intention, is inherently steeped in power dynamics. Curator: Let’s focus on the construction of the piece. Each portrait, a study in light and shadow, is carefully placed within the frame. There's a clear emphasis on showcasing different garments, evident in their textures and draping. Do you see a compositional hierarchy at play? Editor: Definitely. The subjects aren't simply presented; they’re being “displayed,” which implies control. Their individual identities, while perhaps intended to be acknowledged, are largely overshadowed by the desire to represent "Indian men's clothing," reducing them to representatives of a type. How does the artistry further reinforce this reduction? Curator: The use of albumen printing lends a certain crispness and detail to each figure. This contrasts with the flatness of the overall composition, emphasizing the clarity of the sartorial details. Look at how the poses direct our gaze; what narratives are embedded? Editor: I would venture to say narratives are consciously obscured! We have little indication of the sitter’s own lives, or relationship with the colonial establishment taking their photographs. The aesthetic choices seem designed to strip away individuality in service of a generalized understanding – one designed for a Western audience, no doubt. Curator: Well, it has prompted a rich and very necessary dialogue, considering our varied approaches, it seems we've unveiled its multiple layers today. Editor: Indeed. It makes one wonder what hidden meanings will be revealed to future viewers…

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