Tekstblad over de Schilderkunst 1693

Editor: This is "Tekstblad over de Schilderkunst," or "Writing Sheet About Painting," from 1693 by Charles Perrault. It's an old print, text in columns on paper. What jumps out to me is the contrast between the elaborate language and the relative simplicity of the layout. How do you interpret this piece? Curator: For me, this work exists within a complex web of artistic, political, and social commentary specific to the late 17th century. Charles Perrault, the author, was a key figure in the "Quarrel of the Ancients and the Moderns," a debate about whether contemporary art could surpass classical art. Knowing this, how does the typography, which appears 'classical', relate to the context? Editor: Well, if the layout seems to evoke classicism, is Perrault subtly engaging with or perhaps even critiquing those established norms, all while advocating for the “moderns”? It's almost as if the old is the form, but the content is modern. Curator: Precisely. And what about the subject matter—the nature of painting and royal patronage? Considering the court of Louis XIV, do you see any connection between these lines of text and broader themes of power and representation? The “sun” mentioned represents the king, bringing things to bloom in his kingdom, connecting the King to nature itself. Editor: Yes, painting is metaphorically placed under royal patronage, the actual Sun supporting "all the flowers," or artworks and creative efforts. It's a statement about the symbiotic relationship between art and power. It goes without saying! Curator: I agree, and viewing art like this reveals much about how the sociopolitical machine fuels production. Editor: Thinking about the Quarrel and the imagery of royal patronage, it enriches my view of the piece. Thank you.