The Squall, Kampen 1923 - 1924

James McBey made this etching, The Squall, Kampen, and it's all about the way he works the plate, isn't it? The marks are so descriptive. The texture here feels almost frantic, like he’s trying to capture the wind itself. Look at the way the lines build up the boats, those thick hatches suggesting rough seas and tough vessels. The contrast between the grounded boats and the one battling the waves really sets the scene. I love how the scratchy lines become almost abstract when you get up close, but then pull back and boom: it’s a squall. It reminds me a bit of Whistler’s etchings, but with a bit more… urgency. It's a great example of how art doesn't have to be super detailed to really nail an atmosphere. It's all suggestion, and that’s where the magic happens, don't you think?