Margaret MacDonald, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes by Kinney Brothers Tobacco Company

Margaret MacDonald, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes 1890

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albumen-print, photography

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albumen-print

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portrait

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photography

Dimensions Sheet: 2 1/2 × 1 7/16 in. (6.4 × 3.7 cm)

Editor: Here we have a photographic print from 1890, "Margaret MacDonald, from the Actresses series," created by Kinney Brothers as a promotional piece for Sweet Caporal Cigarettes. There’s something really striking about seeing a portrait of a woman being used to sell tobacco. What strikes you about the image? Curator: It's fascinating how the commercial use of this image reflects the complex social status of actresses in the late 19th century. While some achieved fame and relative financial independence, their public image was often tied to ideas of spectacle and consumption. Were these women being celebrated or exploited? Editor: That’s a good question. On one hand, her image is being circulated widely, but on the other, it’s tied to a product, Sweet Caporal Cigarettes. I wonder how much control she, or other actresses, had over their images being used in this way. Curator: Exactly! This raises key questions about the agency of female performers within the booming commercial culture of the time. The Aesthetic Movement, with its focus on beauty and artistic expression, also played a role. How do you see that movement reflected in this image? Editor: I see the emphasis on her dress and straw hat, like a carefully styled visual presentation. It feels designed to be appealing and aesthetically pleasing, for its own sake and of course to sell cigarettes. It’s like the artistry is a disguise for profit. Curator: And how do you think Japonisme, the influence of Japanese art, comes into play? Perhaps with the parasol? Editor: That is so interesting! I had not considered the aesthetic link there. Wow, so much is packed into what seemed a simple promotional card! Curator: Precisely. By understanding the cultural and economic forces at play, we can move beyond a simple portrait and understand how art and commerce shaped each other. Editor: Absolutely, I'll never look at a promotional image the same way. Thanks so much for that.

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