Cathedral, Milan c. 19th century

Curator: The sheer density of line work in John Coney's "Cathedral, Milan" is remarkable. Editor: It's an imposing structure, isn't it? One feels dwarfed merely looking at it. I imagine the power dynamics at play with this architecture, and who it was intended to impress. Curator: Observe how the etcher employs linear perspective to create a sense of depth, drawing the viewer's eye towards the towering spire. Editor: Yes, and the figures at the base, seemingly oblivious to the enormity above, emphasize a society structured by hierarchy. Curator: Indeed. The precision in replicating architectural details speaks to Coney's dedication to capturing the cathedral's intricate Gothic style. Editor: It's not just about style, though. This cathedral, like many others, was built with the labor and resources extracted from the working class. This is power manifested in stone. Curator: A compelling, if somewhat cynical, reading. I see the sublime, you see oppression. Editor: Perhaps we both see the same thing from different angles. Curator: A fair point. This cathedral truly encapsulates the duality inherent in human ambition.