silver, metal, sculpture
silver
baroque
metal
sculpture
ceramic
decorative-art
Dimensions height 17.0 cm, diameter 21.5 cm, weight 712 gr
Editor: Here we have a dazzling, footed drinking cup, known as a Tazza. It's silver, crafted around 1602 by Aelbert Verhaer. I am immediately struck by its ornamental style, like something out of a fairy tale, fit for ambrosia. What exactly are we looking at here, thematically? Curator: Oh, it’s more than a mere cup; it's a glimpse into a world of gods and myths! Imagine, a Renaissance party, where this extravagant display embodies prestige, knowledge of classical themes, and pure indulgence! Verhaer presents the Olympian Gods. Can you detect any characters? What sort of feelings do they inspire? Editor: Well, with all those intricate details, I mostly feel overwhelmed. Gods feel pretty remote to me… I recognize... Neptune, maybe? So much detail... What was the process for making something like this? Curator: That’s an excellent question! Verhaer wasn't just a metalworker; he was a storyteller in silver. It would have been formed and shaped before adding chasing techniques – hammering the design from the reverse, allowing the figures to 'pop' out with striking relief and bring the narrative to life. A bit like bringing ancient stories to life, wouldn’t you say? The reflection in the silver makes it more like peering into a pond to glimpse these stories. Editor: That makes so much sense. It’s less like a still image and more like a performance. I suppose, back then, knowing your Greek mythology was part of knowing how the world worked. Now I need to study my Ovid! Thanks. Curator: Indeed, think of this "Tazza" as a testament to a bygone era. A conversation piece, and an artistic dance between opulence and erudition! The craftsmanship is magnificent.
Comments
Paulus van Vianen spent most of his career in the service of rulers outside the Netherlands, but this drinking cup proves that artistic developments in his workshop were closely followed on the home front. He conceived the design for this composition the same year that this cup was executed in Utrecht by his nephew Ernst Jansz van Vianen.
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