Tomb of Princess Maria Clementina Sobieska in St. Peter's [reverse] 1743

Editor: This bronze relief from 1743, by Ottone Hamerani, depicts the Tomb of Princess Maria Clementina Sobieska. The composition strikes me as being extremely dense, almost overflowing, yet there's also a very deliberate structure holding everything together. What do you see in this piece? Curator: Focusing solely on its internal elements, one notes first the rigorous application of circular form; consider the work contained neatly within the medallion and then its subsequent division vertically using a post and lintel structure. This immediately establishes balance through geometry. Do you see how the sculptor further punctuates the internal frame with figurative dynamism to interrupt what would otherwise feel too rigid? Editor: Yes, the figures disrupt any simple symmetry, especially the angels seemingly overflowing onto the architectural elements. Curator: Exactly. The relief demonstrates a clear understanding of Baroque aesthetics. Note how light is captured on the angled surfaces of drapery. It’s strategic. But consider further how these formal choices interact with each other and against the negative space of the coin to give shape to a larger, holistic visual system. Are you finding symbolic meaning there too? Editor: I am not sure yet, but I see what you mean regarding structure and symbolism! I need to think of it in terms of semiotics. Thank you. Curator: My pleasure. Approaching the artwork by prioritizing visual structure illuminates the artist's intent and expertise.